The basic story of a young criminal not quite living up to his won ideals of “not to give a damn” sidesteps out of his criminal career while dragging his younger brother into it, could have been interesting. Unfortunately the implementation is simply not good enough. As so often with Danish movies, there is little appreciation for detail thus leaving us with hoodlums talking like they’ve done time at a business academy rather than a prison. Dialects completely out of here and idiosyncratic bikers without bikes or even character for that matter. An ever accelerating surrealism towards the end doesn’t help to clear the slow pace of this film but it does give a glimpse of what the story could have unfolded to become.

Following the fact-based historical book of the same name, this drama follows the rise of Cromwell as he becomes Henry the VIII’s closest advisor.

England in the 1520s is a heartbeat from disaster. If the King dies without a male heir, the country could be destroyed by civil war. Henry VIII wants to annul his marriage of twenty years and marry Anne Boleyn. The Pope and most of Europe oppose him. Into this impasse steps Thomas Cromwell: a wholly original man, a charmer, and a bully, both idealist and opportunist, astute in reading people, and implacable in his ambition. But Henry is volatile: one day tender, one day murderous. Cromwell helps him break the opposition, but what will be the price of his triumph?

After the “mysterious” death of a colleague, the doldrums of office life at DanRick Designs are given a surprise resuscitation when Miles Fuller and Dylan Kirkpatrick discover they are the lead candidates for a promotion. The timing of the advancement opportunity couldn’t be more ideal for the entry-level employees. The Tech Center where Miles’ voluntarily teaches inner city teens is low on funds, and Dylan is desperate to purchase the home his deceased father built by hand, before his mother is manipulated by his weasel stepdad to put it on the market. The pay increase from the promotion could resolve their dilemmas, except only one of them can win the job.

Engaging, emotional and riveting, FAREWELL is an intricate and highly intelligent thriller pulled from the pages of history— about an ordinary man thrust into the biggest theft of Soviet information of the Cold War. Ronald Reagan called this piece of history – largely unknown until now – “one of the most important espionage cases of the 20th century.” FAREWELL begins in 1981, after the Soviet invasion of Afghanistan. A French businessman based in Moscow, Pierre Froment, (Guillaume Canet) makes an unlikely connection with Grigoriev (Emir Kusturica), a senior KGB officer disenchanted with what the Communist ideal has become under Brezhnev. Grigoriev begins passing Froment highly sensitive information about the Soviet spy network in the US.

Budding photographer Chloe (Ory) comes from a family of failed romances. At a local flea market, she stumbles upon an old photo album from the 1970s, chronicling the ideal romance of a happy couple (Hindle and Barbeau). Unable to find her own “true love,” she sets out to find the couple in the album and prove that true love exists. Along the way, she meets Gabe Sinclair (Macfarlane), a mysterious, but charming bartender, who seizes the opportunity to join Chloe’s mission and soon finds himself falling in love with her. With limited resources, the two go on an adventure, searching for clues that will lead them to the couple, and hopefully to true love. As the search continues, Chloe begins taking an interest in Gabe, but won’t let these feelings distract her from her mission to find the couple. Will Chloe learn to give up her fear of falling in love and finally find true happiness?

The year is 1984. Researchers at the secretive Bentan Labs are celebrating the completion of their latest weapons project: a previously unknown type of mildew, capable of spreading and consuming any kind of vegetation… and ideal for attacking stockpiles of enemy food. When a sponsor is accidentally infected, the mildew’s spores are set loose across the facility. As aggressive soldiers flood the complex and the infected staff begin to mutate, the survivors come to realize that the mildew is in fact an alien creature! To avoid an agonising death, the remaining scientists must join forces with “Toxic” – a mysterious mercenary who has infiltrated the building on a covert mission. Will anyone escape the clutches of this out of control fungus and the army of crazed mutants it has created? Body melts, alien mutations, tons of action and geysers of gore await you. The ’80s are back!

A story of love, sex and teen pregnancy in San Antonio, Texas. Petting Zoo is the portrait of a young woman coming into her own, in an environment that does not always present ideal circumstances.

Into an abandoned insane asylum pass six individuals who are about to discover its terrifying secrets and come face to face with its blackest horrors… Sleaze photographer Roger Neale and three beautiful models take up residence in a reportedly haunted old building – an ideal location for Neale’s photographic “study in terror.” But their project is abandoned when he discovers a secret passageway, leading to a blood-splattered dungeon … and into a supernatural world where pain and evil await.

The series centers on Ryan Atwood, a troubled youth from a broken home who is adopted by the wealthy and philanthropic Sandy and Kirsten Cohen. Ryan and his surrogate brother Seth, a socially awkward yet quick-witted teenager, deal with life as outsiders in the high-class world of Newport Beach. Ryan and Seth spend much time navigating their relationships with girl-next-door Marissa Cooper, Seth’s childhood crush Summer Roberts, and the fast-talking loner Taylor Townsend. Story lines deal with the culture clash between the idealistic Cohen family and the shallow, materialistic, and closed-minded community in which they reside. The series includes elements of postmodernism, and functions as a mixture of melodrama and comedy.